Somewhere between the Mask and the Face
1. Just the two of us (Google)
2. Giuseppe Maria Mitelli, La Maschera, etching, 1688 (Le Collezioni d’Arte della Cassa di Risparmio in Bologna: Le Incisioni; Vol. I, ed. Franca Varignana). On Mitelli, see Misteraitch, "Giuseppe Maria Mitelli" and "More Mitelli," Giornale Nuovo, 07.02.05 and 28.02.05 respectively (image source: "More Mitelli," fig. 6).
3. Wood mask from Switzerland. Musée de la Masque, Binche
4. Aloisio Giovanolli (1550-1618), Ornamental head, etching. Ornamentstichsammlung, Kunstbibliothek, Berlin
5. Mariano Akerman, Cristalino, Primer movimiento (Crystalline—First Movement), gouache, 1986. Private collection, Buenos Aires. For the poem inspired by this image, see Tête à tête.
6. Francis Bacon, Portrait of Michel Leiris, 1976
7. Leonardo da Vinci, Three grotesque profiles (detail from a sheet with Seven Studies of Grotesque Faces).
8. What they have in mind, poster, late 1960s
9. Jacques Callot, burlesque musician, etching from his Varie figuri gobbi (various hunchbacked figures), 1616-22. On gobbi, see www.jacquescallot.com/gobbis.html
10. Still from A Clockwork Orange (Stanley Kubrick, 1971) - L'orange musicale
11. Ibid.
12. Still from Le voyage dans la lune (A Trip to the Moon; Georges Mélliès, 1902).
13. Max Ernst, "Elle ressemblant...", La maison de la peur, collage, 1938
14. Leuthner
15. Man-Dog (Adobe)
16. Quentin Metsys, A Grotesque Old Woman (detail), oil, sixteenth century. National Gallery of Art, London
17. Max Ernst
18. Cornelis Floris. Engraving
19. Exchange (Google)
20. Mariano Akerman, Reality (Appearance and Evidence), pencil on paper, 1995
21. Luigi Serafini, Pulcinella from Pulcinellopedia piccola, c. 1984. Pencil. (Misteraitch, "How I found the Codex," Giornale Nuovo, 11.05.03, fig. 8). On this mask from Commedia dell'arte, see Museo di Pulcinella, Italy
22. Ibid. (Giornale Nuovo, logo)
23. Untitled (Flogup)
24. Johann Heinrich Keller, Knorpelgroteske (cartilaginous grotesque), etching, 1680
25. Friedrich Unteutsch, Knorpelwork, 1650. Engraving by Abraham Aubry
26. Leuthner
27. Christoph Jamnitzer, Grotesque from his Neuw Grotteßken Buch, etching, 1610 ("Faces of the Grotesque," Giornale Nuovo, 10.06.06, fig. 5). For a discussion, see Preñada extravagancia.
28. Houtin
29.
30. Grotesque shell face, Nimphaeum, Chateau de Wideville, Seine-et-Oise, 1634-35.
31. Cornelis Floris, Grotesque Head, 1555. Engraving by Frans Huys ("Faces of the Grotesque," Giornale Nuovo, 10.06.06, fig. 2).
32. Man-Tree from a Seatle parade, digital image (after photograph; background modified) -Comme l'arbre des champs
33. L'Ogre degli Orti (Hell-Mouth), Villa Orsini, Bomarzo, 1538-70. "Tout à la fois étonne, séduit et désoriente" (Claude Frontisi, Histoire visuelle de 'art, Paris: Larousse, 2002, p. 237).
34. Giuseppe Maria Mitelli, Son testa, son paese, case e gente (I am Head, I am Country, Houses and People), etching, 1702 (Le Collezioni d’Arte della Cassa di Risparmio in Bologna: Le Incisioni; Vol. I; "More Mitelli," fig. 10).
35. Joris Hoefnagel, Grotesque head from Mira calligraphiæ monumenta, c. 1591, fol. 143v. J. Paul Getty Museum, Los Angeles ("Faces of the Grotesque," fig. 4; Esto y aquello).
36. Man-Tree (Flickr)
37. Giulio Clovio, detail from a decorative border in the Farnese Hours, c. 1545 ("Faces of the Grotesque," fig. 1; see also "Clovio, and the Farnese Hours," Giornale Nuovo, 02.06.06).
38. CD covering - Misplaced Ideals, by Paul Young
39. Xul Solar, Pareja (Couple), watercolor, 1923. Malba, Buenos Aires - ArgentinArte and Visual Tour
40. Jean Fautrier, Grande tete tragique (Large Tragic Head), bronze. Tate Gallery, London

41. Francis Bacon, Self-Portrait, oil, 1972. Gilbert de Botton Collection, Switzerland. On Bacon, see Baconian and Art Documents.
42. The Kiss, from a French magazine, 2007
43. Francis Bacon, Study of Henrietta Moraes Laughing, oil, 1969. Private collection. For ideas closely retated to this image, see intense et inquiétante
44. Disguise Skill—Try Harder (Google)
45. Mariano Akerman, Mascarade, photograph, Paris (Opera, Grand Foyer), 2007 Photograph
Images belong to their respective owners. Displayed here with the aim of creating aweareness. Selection and sequence: Mariano Akerman. No lucrative profit involved. Educational purposes exclusively.
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